The Art of Experiential Learning with Karen Carnabucci
In this episode of the Continuing Education for Mental Health Professionals Podcast, host Natasha Moharter interviews Karen, a seasoned therapist and board-certified psychodrama trainer. They discuss Karen's extensive journey in the mental health field, her introduction to experiential therapy, and the importance of interactive learning methods such as psychodrama. Karen explains how she incorporates the fundamentals of psychodrama, its versatility across different professional settings, and why experiential training can be more effective than traditional lecture-based methods. They also explore how to adapt experiential learning for online formats, maintain engagement, and build community among mental health professionals. Karen shares insights into her training offerings and encourages practitioners to embrace creativity in their teaching and therapeutic practices.
Transcript
Welcome to the Continuing Education for Mental
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:Health Professionals Podcast.
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:Today we are hosting another CEU
Provider Spotlight Conversation.
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:This is where we learn more
about CEU providers in our
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:community and their journeys.
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:My name is Natasha Moharter, and I'm a
licensed counselor and OCD specialist.
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:I run the Facebook group CE for Mental
Health Professionals, and if you're a
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:mental health professional, we'd love
to have you join us in that space.
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:I
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:I am so excited to be joined today by
our very special guest, Karen Carnabucci.
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:She's a trainer, psychotherapist, author
and consultant in private practice in
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:Lancaster, Pennsylvania, and the founder
of the Lancaster School of Psychodrama
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:and Experiential Psychotherapies.
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:She teaches psychotherapists, coaches,
educators, and other helping and healing
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:professionals how to create sessions
and presentations that are enlivened
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:with authentic human connection,
spontaneity, creativity, and sensitivity.
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:She's the author of Show and Tell
Psychodrama Skills for Therapists,
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:Coaches, Teachers and Leaders.
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:And she's a co-author most recently
assisting in the writing of Words of the
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:Daughter, a memoir by Regina Moreno, the
daughter of JL Moreno, the originator of
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:Psychodrama, and Florence Bridge Moreno.
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:In addition to her trainings for
helping and healing professionals,
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:she offers special interest groups on
topics like writing for healers and the
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:tarot journey in action, plus clinical
supervision and consultation along
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:with selling sand trade miniatures.
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:She has particular interest in expanding
creativity and spontaneity, and the use
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:of embodiment as a way of deep learning
and understanding and social change.
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:Natasha Moharter: Karen, thank
you so much for being here today.
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:It is such an honor and a
privilege to have you here with us.
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:Karen Carnabucci: Thank you.
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:It's a great honor for me to be here.
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:Natasha Moharter: So can you tell
us about your background and what
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:got you interested in becoming a
CEU provider and content creator?
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:Karen Carnabucci: Yes.
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:Well, I have been a therapist since 1989.
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:Originally in a drug and alcohol rehab
center, and then later in a hospital
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:setting and then in other settings, and
eventually went on in private practice.
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:Even when I was working as a therapist,
I was asked to join in team trainings and
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:offer training information that I had.
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:That was really important because it
allowed me to see that people were
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:really interested in understanding
more about experiential therapy and
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:how to do it and how do it safely.
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:As I continued in my own work I
gradually started offering more
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:trainings and then eventually became
board certified to be able to offer
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:psychodrama training to the public.
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:The public really being helping
and healing professionals,
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:educators, and so forth.
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:So I am able to offer psychodrama credits
for people who come to my trainings
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:because of my board certification.
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:And I should say there's
two levels of certification.
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:One is as a practitioner, where you
are able to prove that you understand
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:everything you need to know to practice.
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:And then I have gone to the level of
trainer in addition, where I prove that
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:I have all the necessary information
and qualities and skills to be
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:able to train others in the method.
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:And then I'm also, through the state of
Pennsylvania, able to offer trainings to
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:a number of helping professionals as well.
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:Natasha Moharter: And for those of
us who might not know as much about
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:psychodrama, can you share a little
bit more about what psychodrama is?
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:Karen Carnabucci: Yes, thank you.
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:I love talking about it.
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:Psychodrama is an action
method developed by Dr.
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:Moreno, a psychiatrist back
in the early 20th century.
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:He was interested in
improvisational theater.
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:He was also interested in mental illness.
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:He was interested in culture and
society, so he blended his interests
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:of this improvisational theater to
support people in exploring their
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:lives through theatrical principles.
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:His idea was to use it for anyone
who wanted it or needed it.
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:It has mostly landed in the clinical
area of the world, psychotherapy,
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:although educators use it, attorneys
use it, organizational trainers use it.
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:It's actually incredibly versatile.
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:We could call it the parent of role play,
although it's much more complicated and
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:expansive, in theory and in practice,
than what we consider role play today.
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:Natasha Moharter: So it really
does have the ability to be applied
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:in several different settings.
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:Karen Carnabucci: Absolutely.
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:There is a new book about psychodrama
and education and how educators can
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:use these methods to teach better.
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:In recent years, three attorneys who
were also trained in psychodrama, wrote a
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:book about how to use it in the courtroom
when telling the stories of their
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:clients to the judge and to the jury.
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:Natasha Moharter: And you
mentioned that it is experiential.
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:Karen Carnabucci: It is
highly experiential, yes.
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:Natasha Moharter: Can you tell us a
little bit about why you believe that
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:experiential training is actually more
effective than traditional lectures
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:for mental health professionals?
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:Karen Carnabucci: There's a little quote
and you might've heard a variation of it,
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:but I think the essence is really good.
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:The quote is, "Tell me and I
forget, teach me and I remember,
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:involve me and I will learn."
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:So many trainings depend on
PowerPoint slides, lectures, maybe
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:a worksheet, those kinds of things.
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:And it's really easy, and I'll
put myself in the category,
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:real easy to not pay attention.
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:When you're part of a group being talked
to, being shown slides, when it's all
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:words, when the words are going by really
quickly, and you're doing your best to
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:grab onto whatever you can grab onto.
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:I have found personally that I have I
always learn better when I am involved
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:experientially in one way or another.
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:I think that is true of most people.
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:So a couple of things
are really important.
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:One is that the presenter or trainer
is coming from an experiential
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:stance and has tools to use.
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:And the tools can be learned and
practiced and integrated into the
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:material, whatever the material may be.
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:There is always, and I'm
gonna use my finger here for
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:this little visual cue here.
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:In the best experiential learning,
whatever the learning is, including
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:psychotherapy, because psychotherapy
is learning as well, there is warmup,
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:there is an action piece where
there is deep involvement.
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:In the world of psychodrama,
it could be a drama.
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:In learning, it can be something else.
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:And then there is what is called
the integration, or the cool down,
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:or what have you, where we look
at integrating what we have been
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:learning in here, in here, in our
whole being, in our whole self.
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:Too many times what we do, and
I've done it too in the early days
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:when I didn't know any better.
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:You know, how many times have we been
to a presenter or a lecture where the
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:lecture person begins with a joke and
that is supposed to be the icebreaker.
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:When I teach, we take away
that word icebreaker, and we
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:use the word warmup instead.
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:That we are warming up people to the
topic in whatever way that may be.
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:And we design questions or prompts
or activities that support the people
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:being drawn in, naturally drawn in with
a certain kind of pacing to be ready
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:to learn, to be available to learn.
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:Natasha Moharter: We're
here to go on a journey.
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:Karen Carnabucci: Yes, very nicely said.
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:We are going on a journey together,
so we're just not a bunch of people
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:sitting in a room, but we come together.
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:And that is the other very
important piece is connection.
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:That a connected group
feels like a safe group.
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:Where then I'll be able to ask questions.
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:I'll be able to be involved.
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:I'll be able to be present.
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:I know that it's safe.
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:I won't need to be looking around
wondering who's who and what's what.
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:We have particular ways of
connecting group members in the
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:world of psychodrama, which is a
sibling method known as Sociometry.
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:It's the parent of social networking.
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:How do we get connected to each other?
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:Something very simple that a
presenter can do is, even in
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:an auditorium style setting.
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:Could you turn to your right and introduce
yourself to the person to your right.
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:Could you turn to the left?
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:And there are other ways of
creating activities, sometimes
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:very simple activities to support
people in getting connected,
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:feeling safe, feeling comfortable.
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:Natasha Moharter: You speak to the
safety, that is required and that
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:vulnerability that can be there, when
we're learning or when we're opening
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:ourselves up to learning something new.
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:And so I could see where that connection
and that warmup is really important to
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:set the stage for what is happening.
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:Karen Carnabucci: Yes, and if I'm teaching
about trauma, I'm going to be doing some
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:different prompts than if I were teaching
about play, or if I'm teaching about
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:integrating sound, or the body, or somatic
activities, I may ask some different
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:prompts to allow the people to be there.
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:Oh, and I forgot something
else really important.
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:I, as the presenter
have to be warmed up to.
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:Natasha Moharter: Can you tell
me a little bit more about that?
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:Karen Carnabucci: I'll tell you
the story that I often actually
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:tell in group when I'm teaching.
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:So in the olden days if I was heading for
a training and I was stopped in traffic.
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:I'd be looking at the
clock on my dashboard.
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:I'd be going, oh no, I'm late.
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:Oh no, there's a red light.
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:Oh no, there's a traffic jam.
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:Oh no.
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:I was being warmed up to worry.
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:I was warming myself up to anxiety.
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:That's not what I wanna warm myself
up to as a teacher, as a presenter.
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:So once I realized that I could
start thinking, whether I was in a
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:traffic jam or not, who's in my group?
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:Who do I know that's coming back?
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:And who might be new
that I don't know yet?
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:Or let's remind myself what I'm
going to be teaching about today.
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:Oh, I'm gonna be teaching about, sandtray.
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:What is one of my very favorite stories
I can tell about sandtray, or let me
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:remind myself of the warmup that I'm
gonna use to get people involved.
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:So I am getting my mind, body, spirit
ready to walk in that door and be present.
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:So I can move right into
the reason I'm there.
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:Natasha Moharter: I could imagine that
you approach the training very differently
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:in those two different mindsets.
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:Karen Carnabucci: Yes, absolutely.
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:Because in the second one, I'm ready to
go and I'm excited about being there.
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:In the first one, I'm totally focused
on something that has nothing to do
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:with the training actually at all.
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:And in fact, if I keep focusing on it.
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:I will bring my anxiety to the training.
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:Natasha Moharter: I think it's so
important to think about how we
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:show up as the trainers as well.
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:Are there other things that you have
to do or that you find are really
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:important when you engage in those
experiential trainings for yourself?
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:Karen Carnabucci: Well, continuing
the idea of the warmup, I
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:make sure that I'm prepared.
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:Some of that is just nuts
and bolts kinds of things.
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:Like, what am I bringing?
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:Because I am experientially working.
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:I may bring props, like scarves or mats
or pillows or cards or something else.
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:So I'm making sure that early
on I am collecting all my things
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:to be ready on a physical level.
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:And then I'm also making sure
that I am planning ahead.
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:I guess I'll call it an outline, but I am
planning what I am going to be teaching
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:and how I'm going to be teaching it.
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:So I also ask myself the question,
what am I teaching today?
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:What's the key element
that I wanna impart today?
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:And then what is the root or
roots that I use to get there?
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:So what am I teaching
becomes really important.
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:I warm myself up and then I find
out how to warm other people up too.
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:Natasha Moharter: I think that's so
incredible too because as an experiential
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:trainer, my guess is that so much
actually develops out of the group
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:connection, out of the conversations,
out of the activity that is taking place.
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:But you have to do work to set the stage.
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:Karen Carnabucci: Yes,
it's, it's interactive.
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:I absolutely have points that I want to
teach and theory, information, et cetera,
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:that I want to impart, but at the same
time, I wanna meet the group's needs.
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:As they are, as they arrive, as they let
me know who they are and what they need.
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:And sometimes people want personal
growth in addition to the teaching
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:of the clinical information, right?
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:So yes, I'm looking to integrate
on a lot of different levels.
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:And the very best trainings, when they go
really well, and integrating many levels.
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:Natasha Moharter: If professionals wanted
to engage in experiential trainings,
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:what would you say that they could do to
move away from slide based lectures, to
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:incorporate more interactive learning?
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:Karen Carnabucci: Well, here's
where their own training comes in.
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:So the professional who is perhaps
wanting to train about early motherhood
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:issues or trauma or, ADD, whatever their
specialty is, whatever they're really
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:good at, that they've been trained in.
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:They may have years of experience
in, I would say getting training in
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:interactive work like psychodrama.
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:Which talks about the warmup action
sharing, which we call the Hollander
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:Curve in the field, and other sociometric
exercises like the spectrogram,
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:the logogram, various kinds of role
play, to get actual psychodrama
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:training, which they can find both
online and in person in their area.
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:People don't have to get certified,
but some good solid training will give
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:them lots of ideas on how to convert
what they know from a head place to
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:bring it into action and experience.
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:Natasha Moharter: So along those same
lines, how do you adapt experiential
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:learning for an online format while
keeping it interactive and engaging?
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:Karen Carnabucci: Yes.
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:Well, I learned how to
do this in March:
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:Natasha Moharter: Oh, so real.
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:Karen Carnabucci: And I actually
became fairly good at it.
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:So a key piece of online training is
that we, again, want to interact with
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:our group or our audience, and we of
course have to look how to do that from
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:You're over there and I'm over here,
and how do I become more than just
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:a talking head or here's my screen.
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:How do I interact with you?
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:And the people you're with.
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:So there's lots of ways of doing it.
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:Some of them, by the
way, are really simple.
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:Perhaps you are here with me with a group.
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:Maybe it's a group of 10 or so.
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:And, one of the things I do
is I toss something your way.
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:Here's a magic ball.
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:Would you catch it?
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:Natasha Moharter: I've caught it.
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:Karen Carnabucci: Yes.
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:And could you just play
with it for a minute?
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:Natasha Moharter: Yes.
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:Karen Carnabucci: And be with
it and tell me what it might be,
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:what it might turn into for you.
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:Natasha Moharter: It kind of almost
feels almost like a balloon in some ways.
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:Karen Carnabucci: So we're
being a little playful.
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:You're introducing yourself.
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:Yeah.
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:And you might even say your name and
then I might ask you to throw the magic
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:ball to someone else in the group.
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:Natasha Moharter: Oh, how interesting.
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:Yes.
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:Okay.
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:Karen Carnabucci: Right.
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:And then you pick someone and you
toss it their way, or maybe you
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:just toss it generally and see who
catches it and they, because it's
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:magic, they find out what it is too.
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:Natasha Moharter: Yes.
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:Karen Carnabucci: So now people are
more involved than just sitting,
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:staring at the screen where I, Karen,
the instructor has got to produce.
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:Right?
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:Natasha Moharter: Yes.
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:Karen Carnabucci: But everybody
is now involved, connected, and of
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:course, maybe you now have a special
relationship with that person that
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:you wanted to hear from, you know?
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:Right.
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:Or maybe I could just say, and Natasha,
who would you like to hear from next?
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:Natasha Moharter: Absolutely.
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:Karen Carnabucci: Right.
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:And then you develop a
connection with that person.
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:Or maybe I wanted to say, Natasha,
I am looking at your screen.
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:And I am really interested
in that globe that you have
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:there at the top of your shelf.
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:It kind of looks like an old fashioned
globe, and maybe it is and maybe it isn't.
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:But you could tell me about
your relationship to that globe.
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:Right.
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:Natasha Moharter: I love that it
really is kind of getting into the
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:space with each other, not just
having to be on the screen, but it's
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:really involving the environment.
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:That's what I'm feeling.
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:Even when you toss me the ball when I'm
like, oh yeah, that globe my mom had in
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:her office and now it's in my office.
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:Karen Carnabucci: Yeah!
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:So then we start learning a
little bit about you, right?
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:Natasha Moharter: Yes.
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:Karen Carnabucci: And you start
being involved and then other
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:people start and it doesn't have
to be a long involved thing.
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:We have teaching to do, but it just
allows us to know a little bit about
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:you, call you in, let you speak
about something you know a lot about.
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:Right.
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:Maybe take a little risk.
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:Oh, this seems like a balloon, right?
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:In a larger group, I might say
something like, pick an object
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:on your desk or in your immediate
surroundings that's meaningful to you.
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:And if it's a large group and if we went
around, it would take way too much time.
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:I might put you in a breakout
room with, you know, two other
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:people or one other person.
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:So you get acquainted.
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:Or it could be also why you're here.
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:'Cause remember, I'm warming you up to
the subject I'm about to teach, right?
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:So maybe I'm teaching a
course on tarot cards, right?
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:So maybe I might have you pick a
tarot card and share it in your
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:small group about here's the
image, here's what it means to me.
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:Or maybe, I ask you to pick an object
from your desk and how it might
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:relate to the goal that you have today
in coming to learn at the seminar.
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:Well, here's my object.
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:You know, I like to store things.
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:I'm just kind of making that
up in the moment, right?
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:Um, which even more specifically
warms us up to why am I here today?
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:What do I wanna learn?
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:But also gets people
acquainted at the same time.
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:Natasha Moharter: I think it's
so neat because it really brings
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:in a personal aspect to it.
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:We allow it to unfold in the
ways that are most meaningful
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:to the people that are present.
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:That can be intimidating as a trainer
at times to kind of see like, okay,
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:what unexpected things might be
brought into the training today.
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:I wonder sometimes if we're just kind
of used to the slide presentations as
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:a way of sharing, but psychodrama and
this experiential aspect is really
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:about, bringing you as a trainer into
this, your background, your interests,
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:as well as your training and expertise,
and creating that safe space where
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:people can really come together and
learn it and implement it and take
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:something away from it, whatever that is.
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:Karen Carnabucci: Yes.
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:And I would say bringing me and my
creativity because it's a chance for me to
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:be creative and there are still structures
and standards and theories to use.
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:I get to be creative and I think
that supports other people in being
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:creative as well, because you know
when we're working with our client
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:people, everyone is different.
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:We have to be creative, we have to
exercise that muscle to be creative
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:because every client, I call them
client people because I don't like the
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:word client very much, is different.
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:And so we have to really be flexible.
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:Right?
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:Natasha Moharter: Absolutely.
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:What are some challenges that
professionals face when adopting the
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:experiential methods and how would
they be able to overcome those?
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:Karen Carnabucci: I'll tell you one of
the ones that I encountered as an early,
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:early, younger experiential therapist.
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:I would watch these elders, and keep
in mind, at the time I was not an
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:elder, I was just a bright-eyed,
younger, enthusiastic person, and
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:I would see how good they were.
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:And I remember asking my trainer,
Zerka Moreno, she was the wife of Dr.
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:Moreno, so I loved being able
to study directly with her.
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:I remember the first time that
I saw her work in a training,
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:my mouth was hanging open.
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:She was just so wonderful.
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:And I remember asking her first time
I met her, how did you get so good?
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:And she said, well.
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:If you had been doing this for 50
years, you too would be seamless.
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:Natasha Moharter: Absolutely.
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:Karen Carnabucci: Now that I am older and
do have a number of years of experience, I
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:ask younger, trainers, younger therapists
don't try to do everything all at once.
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:Simplicity can be really key, I don't
have to come up with this amazing thing,
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:sometimes it's the very simple question
or the very simple role play, or a really
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:simple prompt that opens up so much.
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:So I would say to newer people in the
experiential world, learn and start
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:practicing by keeping it simple.
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:Natasha Moharter: That can take
a lot of pressure off, right?
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:I think that sometimes when we think
about, like you said, we look at people
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:doing presentations and trainings, and
we're like, wow, I want to be there.
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:How do they do that?
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:And simplicity can be
a challenge at times.
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:It can take some work and some
creativity to keep it simple.
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:In my own experience in trainings
when I was very new, I put so much
384
:information in and I got good feedback,
but the feedback also said, this was
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:so great, but I needed more time.
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:And I felt like it was
drinking from a fire hose.
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:Karen Carnabucci: I think
we wanna naturally give our
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:people their money's worth.
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:I have been there too, and I understand
completely, and I don't wanna just fill
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:someone's head with facts, even if they
just learn one important thing that
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:they're carrying out into their world that
they really feel they're capable of doing.
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:That's good enough.
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:Natasha Moharter: Even in our
conversation today, I am already
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:thinking about some things.
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:I'm excited to learn more.
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:Karen Carnabucci: Good.
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:Natasha Moharter: I wanna ask a little
bit more about where professionals
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:can learn to conduct experiential
trainings on their own, and can you
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:share a little bit about what you offer.
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:If somebody wanted to get trained from
you, how would they go about doing that?
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:Karen Carnabucci: Yes, well, I'm in
Lancaster, Pennsylvania, which is on the
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:east side of the state of Pennsylvania.
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:And I do have a school where
I offer monthly trainings
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:to anyone who wants to come.
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:Typically, these are helping
and healing professionals.
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:And I do offer CE credits.
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:I'm a little bit eclectic.
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:I offer everything from basic
psychodrama 1 0 1 classes.
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:The very basic principles,
very basic techniques.
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:I have found out through the years
that a lot of people do role play that
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:have never been trained in it, and as
a result, it typically falls flat, so
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:people say, I will never do this again.
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:But in reality, there's actual
training on how to do a role play,
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:what not to do in certain cases,
what to do in certain cases.
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:So I do some very basic
psychodrama experiential topics.
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:Next Friday I'm going to be doing
how to integrate experiential
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:methods into talk therapy for a
small group, in a group practice.
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:And then on Saturday I'll be teaching
the body double and other very simple
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:ways to support therapists in working
with the body as they work with talk.
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:And then I have trainings coming
up on all kinds of topics.
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:So this month I am going to do a two
day seminar on the tarot because lots
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:of therapists are getting interested
in how they can use picture cards and
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:archetypes in the therapy setting.
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:Some are doing readings,
but I do it differently.
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:I really use it much more in a
process oriented way, and also
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:integrate psychodrama, family
constellations and other methods,
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:which I have found to be super helpful.
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:I'll be working on psychodrama
and sand tray where people working
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:with adults were integrating those.
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:I also train in family constellations,
which is a newer healing method coming
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:out of Germany in the last 30 years where
we work with ancestral trauma and how to
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:address it and heal it and move past it.
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:A lot of different choices depending
on what people are interested in.
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:Natasha Moharter: I had shared with
you before that I subscribed to your
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:email list and that's how I started
learning a little bit more about you.
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:I think about this kind of
from the marketing perspective.
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:That consistency and staying
connected with people that you're
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:training and people that could be
interested, even outside of the
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:trainings is really important.
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:Karen Carnabucci: Oh, well thank you.
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:I do my best to make it
interesting and full of resources.
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:So whether or not people come to my
trainings right now they're at least
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:getting a taste of what's available.
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:They're finding out what's going on.
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:I always try to have some free resources
available of some kind, whether it's
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:a link or a video to watch or an
article to read or something I've done
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:that people might be able to borrow.
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:So thank you for that.
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:Natasha Moharter: I wanna come back
to the trainings that you do in
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:person at the Lancaster School of
Psychodrama and Psychotherapies.
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:You also do mini retreats
as well as online classes.
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:What do you find that people
usually take away from them?
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:Karen Carnabucci: The other
thing that I'm really interested
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:in is building community.
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:Because the truth is that
most of us practice alone.
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:We're typically in a room with one or
two other people at the most, maybe
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:three or four maybe we're running
a group, but we typically practice
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:in a somewhat of an isolated way.
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:I'm really interested in how to bring
helping and healing professionals
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:together to feel connected and supported.
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:And revitalized.
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:My training settings are always a
place that is beautiful, comfortable,
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:pillows, nature, those kinds of things.
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:So I really want to create an environment
that feels supportive to them when
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:they are out of the professional
setting and in with their peers
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:and to support them in connecting.
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:And then they're not just learning
information, but they are connecting as a
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:group of people that have a lot in common.
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:Natasha Moharter: Absolutely.
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:Karen Carnabucci: And that
typically feels really good.
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:Audio Only - All Participants:
So Karen, if people want to reach
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:you where can they find you?
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:Karen Carnabucci: I have a website and
the website is called Real true karen.com.
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:R-E-A-L-T-R-U-E karen.com.
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:I also am on most social media, including
Instagram and Facebook and then I just
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:started actually a regular account
on Substack writing articles about
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:creativity and healing and so forth.
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:I usually suggest people go to
psychodrama certification.org.
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:They can come to me as well
and I'm happy to do training.
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:If you don't live in Lancaster,
you can find out who might
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:be teaching in your area.
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:There's also online classes that are
available by many trainers, including
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:myself, and also online classes from the
American Society of Group Psychotherapy
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:and Psychodrama, which has online
classes all year, as well as an annual
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:conference which is a wonderful way
to get a taste of a lot of different
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:styles, see a lot of different ways
that psychodrama is being employed.
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:Otherwise, I personally
love hearing from people.
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:I love hearing what people
want to be trained in.
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:What their topics of interests
are, what people need because
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:I'm really about supporting,
helping and healing professionals.
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:I teach because I want to support the
healing that is going on, and especially
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:right now with so much of our country
and the world and chaos, we need group
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:skills and we need ways of supporting
people to get connected to each
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:other in good ways, in positive ways.
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:That's really my mission and to pass
on what I've learned over many years,
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:because of course I am getting older.
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:Natasha Moharter: Is there any
other wisdom, any other advice
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:that you would like to share with
our audience before we wrap up?
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:Karen Carnabucci: I would say be creative.
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:Exercise that creative muscle.
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:It gets better and better.
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:Keep being interested in learning.
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:It's a big world out there.